Bonny Doon Art, Wine, and Brew Festival Art Exhibition

WILDLY CONNECTED

Wildly Connected
September 19th, 2026

The Bonny Doon Art, Wine, and Brew Festival is proud to announce the open call for this year’s festival exhibition, inspired by the theme Wildly Connected. Selected collectively by students and faculty of Bonny Doon School alongside community members and festival volunteers, this year’s theme reflects the unique spirit of the Bonny Doon community: creative, collaborative, resilient, and deeply intertwined with the surrounding landscape.

Wildly Connected invites artists to explore the visible and invisible relationships that bind us together — connections between people, place, ecology, memory, food, labor, celebration, and community. The theme encourages interpretations that examine how we coexist with one another and with the natural world, whether through intimate personal narratives, environmental reflections, social engagement, or imaginative visions of collective belonging.

Artists working across all media are encouraged to submit work that responds to the theme in thoughtful, experimental, playful, or unexpected ways. From the forests and mountains of Bonny Doon to the shared rituals of gathering, making, eating, drinking, and celebrating, this exhibition seeks works that recognize connection not as something fixed, but as something living, evolving, and at times wonderfully untamed.

We invite artists to join us in celebrating the creative energy and interconnected spirit that make Bonny Doon such a singular community.

What is this? What is it not?

The Bonny Doon Art, Wine, and Brew Festival Art Exhibition is a temporary exhibition of selected artists for the patrons of the Festival being held on September 19th, 2026 at Crest Ranch Christmas Tree Farm at the top of Bonny Doon located in the Santa Cruz Mountains.

This exhibition is not for artists who wish to apply to be a vendor at the festival. Those artists are invited to apply through our vendor application. Accepted vendors and vendor applicants may apply for this call but acceptance to the vendor application is not decided through this call.

How to Apply + FAQs

  • The Bonny Doon Art, Wine, and Brew Festival Art Exhibition is a temporary exhibition of selected artists for the patrons of the Festival being held on September 19th, 2026 at Crest Ranch Christmas Tree Farm at the top of Bonny Doon located in the Santa Cruz Mountains.

  • This exhibition is not for artists who only wish to apply to be a vendor at the festival. Those artists are invited to apply through our vendor application process. Accepted vendors and vendor applicants may apply for this call in addition to their vendor application but acceptance to the vendor application is not decided through this call.

  • “Wildly Connected” explores the visible and invisible relationships that bind people, environments, systems, technologies, histories, and species together. The theme invites artists to consider connection not as something stable or harmonious, but as something messy, entangled, ecological, emotional, and constantly evolving. Set within the context of the Bonny Doon Art, Wine, and Brew Festival, the theme also encourages reflections on local landscapes, community networks, food systems, agriculture, ritual gathering, and the interconnectedness of rural and creative life.

    Artists might interpret “wildly” as untamed, excessive, unpredictable, organic, emotional, ecological, celebratory, or even chaotic. The exhibition can embrace works that examine both the beauty and tension of connection: collaboration and conflict, nourishment and extraction, intimacy and distance, growth and collapse.

    Inspiration & Interpretive Directions

    • Interdependence between humans, animals, plants, fungi, insects, and ecosystems

    • Mycelial networks, root systems, pollination, migration, and environmental exchange

    • The Santa Cruz Mountains as an interconnected ecological and cultural landscape

    • Food, wine, brewing, agriculture, and communal gathering as systems of connection

    • Family traditions, local histories, and intergenerational knowledge

    • Wildness versus control: cultivated landscapes and untamed environments

    • Social networks, digital connectivity, and emotional isolation

    • Community resilience after environmental change, fire, drought, or displacement

    • Rituals of gathering: meals, celebrations, festivals, harvests, and shared labor

    • Invisible systems that shape daily life: supply chains, labor, infrastructure, ecology

    • The relationship between the body and the natural world

    • Collaboration, collectivity, and participatory experiences

    • Hybridity, mutation, entanglement, and transformation

    • Maps, pathways, webs, constellations, and relational structures

    • Soundscapes, shared memory, and overlapping narratives

    • Chaos, abundance, and unexpected forms of togetherness

    • The emotional experience of belonging, dependence, care, and vulnerability

    • Local flora, fauna, weather systems, and mountain environments

    • Sustainability, stewardship, and coexistence

    • Moments where connection breaks down, mutates, or reforms into something new

  • We accept both traditional and non-traditional art forms.

    • All visual art mediums accepted unless otherwise specified

    • Selected artists are responsible for delivery, shipping, and return shipping costs unless otherwise noted

    • Installations or media works must include clear installation instructions and necessary equipment details

    • Artists grant permission for submitted images and artwork to be used for promotional and educational purposes

    • Work containing hazardous materials, open flames, perishables, or unsafe components may be restricted

    • AI-generated work, reproductions, or copyrighted material may require disclosure or may be ineligible depending on the exhibition guidelines

    • The organizing committee reserves the right to reject work that differs significantly from submitted images or does not meet presentation standards

    • Open to emerging, mid-career, and established artists.

    • Artists must be 18 years of age or older

    • Open to artists who are not currently enrolled in an undergraduate degree program

    • Open to local, regional, national, or international artists. Bonny Doon artists are encouraged to apply.

    • Submitted artwork must be original and created by the applying artist.

    • work must be completed within 3-5 years. New proposal work must be completed by the exhibition date.

    • Collaborative works are permitted if all contributors are listed.

    • Artists may submit between 5-10 images, links to video works/documentation are also accepted.

    • Artists must agree to exhibition timelines, installation requirements, and participation policies

    • Late or incomplete submissions may not be reviewed

  • Flexible, expert advice when you need it. Book hourly support across a range of topics—from planning to problem-solving. This focused consultation will help clarify your goals, map out next steps, and identify opportunities for growth.

Our Jurors

Ginger Shulick Porcella

Ginger Shulick Porcella is a curator, nonprofit executive, and arts leader known for transforming museums through community engagement, accessibility, and experimental programming. As Executive Director of the Santa Cruz Museum of Art & History, she champions inclusion, collaboration, and “unexpected audiences” through what she describes as a punk-informed leadership approach grounded in radical listening and calculated risk-taking. Porcella has previously led institutions including the Museum of Contemporary Art Tucson and the Institute for Contemporary Art San Diego, and her exhibitions and publications have received national recognition from outlets such as Frieze, The New York Times, and Hyperallergic.

Christie Jarvis

Christie Jarvis is a successful landscape architect, filmmaker and ceramic artist. She is constantly observing her surroundings and envisioning the merging of function, imagery, the natural world, and philosophy of the heart. She is inspired by nature and the juxtaposition of culture within it. Christie graduated with honors from Cal Poly San Luis Obispo with a degree in Landscape architecture. She has her own firm LandCulture LLP with partner Ann Baker and works on a multitude of projects from Carmel to the North Bay. Her emphasis is always encompassing sustainable habitat design and art within the landscape. Within her creative pursuits she has also found a love of film. Her most recent venture as producer of “Man in the Field the Life and Art of Jim Denevan” can be found on most streaming services. Additional short & feature length documentary films include Surfers Blood (2016), Into the Mind of Greg Long (2014), & Visualizing the Oceans (2013). Along with Landscape Architecture and film, Christie has discovered her passion and eye for hand building sculptural art pieces. Finding objects, natural and rustic man-made, and combining with hand sculpted porcelain pieces.

Sarah Sanford

Sarah Sanford is a California-based artist and educator whose interdisciplinary practice spans photography, printmaking, drawing, and installation. Her work explores light, impermanence, and interconnectedness through abstract biological and cosmic imagery inspired by medical scans, cellular structures, and telescopic views. Using reflective pigments and translucent materials, Sanford creates immersive works that blur boundaries between science, perception, and the natural world. She has exhibited internationally for more than two decades and currently teaches in the Art Department at University of California Santa Cruz, while maintaining a studio in the Santa Cruz Mountains.

Christopher Reynolds

Bonny Doon Community School Foundation President - Open Call Advisor

Christopher Reynolds is a multidisciplinary artist, educator, and arts administrator with extensive experience teaching across higher education institutions, including the University of Maryland Global Campus, Irvine Valley College, Long Beach City College, California State University Channel Islands, and Cabrillo College. He holds an MFA from the California Institute of the Arts and a BA from the University of Southern California, where he studied under influential artists including Charles Gaines, Sharon Lockhart, and Allan Sekula. His interdisciplinary practice spans drawing, collage, video, sculpture, performance, and social practice, supported by curatorial and administrative experience, including work as Assistant Curator at the Torrance Art Museum. Reynolds’s work has been featured in major public art initiatives including Current:LA Food and collaborative projects with Slanguage at the Museum of Contemporary Art Los Angeles.

Seth Heitzenrater

Bonny Doon Art, Wine, and Brew Festival Art Committee - Open Call Advisor

Seth Heitzenrater is an event operations and production leader with a lifelong passion for hospitality, storytelling, and creating experiences that bring people together. Working at the intersection of creativity and precision, Heitzenrater combines strategy, logistics, and emotional engagement to produce meaningful and memorable events. His collaborative and sustainability-minded approach to leadership focuses on elevating teams, building effective systems, and transforming ambitious ideas into impactful realities that connect people through innovation, community, and shared experience. He was the Chief Operating Officer for Outstanding in the Field and current General Manager for La Posta Restaurant in Santa Cruz, CA.

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